| Users review: Alfred Hitchcock was afraid of what he calls the moment of the fridge, and work like crazy to avoid them - the time since people have seen the film, came to the house and stood in the queue ; Ket discusses the picture only to realize that it is full of holes. You do not have to worry about this with Robert Redford's latest film, everything lost. Its one of those rare films that improves on the back. Redford has a tendency to make the film unique and exploring the gray areas of life, and with Lost, he and writer-director JC Chandor beat themselves. That it is impossible to tell the story without giving too much, but the bare bones are like a man alone deep in the ocean have been hit and disabled by sea container size wagons obedient and finds himself fighting for his life. Viewers are dependent on a neat finish, fragmentation landscape of actors who are less skilled or over-the-top special effects obviously done before the green screen you will find is unlike anything they've ever seen. Add Redford, and you really have something special. He'll be in fact a wonderful actor, more minimalist character mode, which always forgotten because of her appearance, it may cost him an Oscar acting or two in the process. But all this is Redford - a movie character, strictly visual, with almost no dialogue, save for a brief voice-over at the beginning and precious few mutterings of him all (the people which says that the mark of a good film is how to keep without dialogue until now can use this as Exhibit A). There will be a temptation to those who have not seen this movie and heard that there was a seagoing stories a man to roll their eyes and say, one of them! Seagoing stories can be boring. This is not one of them. Moreover, comparisons with other films of shipping, particularly newer, uh, do not - for one, each one from the other is bound to the ground story, everything ä , r lost starting at sea level and stay there, strengthen Chandors concept without losing the anchor to convince other people's lives. Finally, to take issue with the funds necessary to sail Redford character completely misses the point (who cares, really?). My advice: see for yourself. Note the fact that the work is called a classic for a broad swath of ordinary viewers and critics and provoke, in the era of the opening weekend of worship, almost incredible amount of tension that is sustainable and does not show signs of abating in the near future. If theres justice, even in Hollywood, Redford will eventually win an Oscar for acting (hes won an Oscar, but to direct - 1980 Ordinary People). Chandor's strongest Oscar worthy of attention also, direction and best screenplay. Obviously, you finally get to see this movie on television. But neighboring cinemas change this to an experience where you as Redford's own character, may feel isolation in darkness. If you want it, you have to traipse to the cinema. All is lost is not easy to find. Not shown in the saturated state (which by the way, spoke highly of it - the distributor will say quietly that approach too often drop features wide to blunt of the negative word of mouth). But know you should, if only to make your own mind, and to say that you look at a classic when it first arrived in theaters. |
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